I used Lasso Tool which is L, Modify = Select/Modify/Expand, Turn the selection into a layer= cmd J, Scale the layer= cmd T and Copy the Layer= cmd J
Wednesday 1 February 2012
Basic Photoshop
I used Lasso Tool which is L, Modify = Select/Modify/Expand, Turn the selection into a layer= cmd J, Scale the layer= cmd T and Copy the Layer= cmd J
Tuesday 3 January 2012
Risk Assessment Form
Risk Assessment Form page 1/2
| Location: Crawley Town |
| Student | Charlotte Tamplin | Signature | Date | 16th November 2011 | Tutor Signature |
Hazards | Persons at Risk | Severity of Hazard (S) | Likelihood of Hazard (L) | Risk Rating (S x L) | ||||||||
A | S | C | V | 3 | 2 | 1 | 3 | 2 | 1 | |||
1 | 1 | 1 | 1 | 1 | ||||||||
2 | Getting hit by a Car | 1 | 1 | 1 | 2 | |||||||
3 | ||||||||||||
4 | ||||||||||||
5 | ||||||||||||
6 |
Tutors must sign this form before you start filming
A: Actors 3: Death or major injury 3: High (near certain) 9: Unacceptable
S: Students 2: Over 3 days injury 2: Medium (frequent) 6: Urgent
C: Crew 1: Minor injury 1: Low (seldom) 4/3: Important
V: Visitors 2/1: Low priority
Complete this Table for all Hazards with a risk rating of 3 or more. Page 2/2
Hazard Number | Specific hazard description | Additional controls required | Responsibility |
1 | Tripping | Having laces tied. Paying attention to the surroundings | Students own. |
2 | Getting run over. | Paying attention to the road. Not listening to music when crossing the street. | Students own. |
Friday 16 December 2011
Location Recce
Location Recce Sheet
Location Name: Crawley Town.
| Power Sockets | Permission(s) |
| N/A | N/A |
| Set design / Items required | Props. Costume. |
| Memorial Garden | N/A |
| Preperation Notes | Health & Safety Notes |
| Be aware of what’s happening around me. | Watching where people are, is there are things on the floor. Making sure not to trip. |
Wednesday 23 November 2011
Wednesday 9 November 2011
Solitude Research and Ideas Part 1
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| RomanceOnTheTarmac |
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| Royaa |
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| zariazinza |
 |
| even |
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| serni |
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2D2F |
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| Thiago Lopes |
 |
| Thiago Lopes |
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| Romeo Koitmäe |
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| gregd-photography |
 |
Wednesday 2 November 2011
Treatment Photography
1. Type of production and brief details on Subject/Concept:
Solitude(see post below)
2. Facilities: What facilities do you need for this project list all including software and hardware for the whole project?
The kind of software I would possibly use photoshop.
I would want to use a Cannon 400/500D, so I would be able to use the manual zoom and with the Cannon 500D I would be able to manual focus as well, also it is easier to change the shutter speed and the f numbers.As well as a tripod o steady myself.
I would also hopefully be using the studio, some indoor scences as well as some outside shoots.
3. Finance: If you produced this project outside of the college you need to show how much would it cost to hire the equipment that you intend to use.
The camera would cost about £500+
I would also be using software like Photoshop which would cost about £33
Models would cost £100 roughly
4. Contributors: Who do you need to help this for you project? This includes talent and crew.
Talent - three people maximum
Crew- Possibly one or two.
5. Presentation: How will you present the pictures? Will you include a soundtrack, think about copy write issues etc.
Possibly a slide show with Creative Commons soundtrack.
Also the pictures will be presented on my blog. These may be edited or raws depending on if I feel that the photo needs to be changed either contrasting the colours or editing the photograph black or white.
Solitude(see post below)
2. Facilities: What facilities do you need for this project list all including software and hardware for the whole project?
The kind of software I would possibly use photoshop.
I would want to use a Cannon 400/500D, so I would be able to use the manual zoom and with the Cannon 500D I would be able to manual focus as well, also it is easier to change the shutter speed and the f numbers.As well as a tripod o steady myself.
I would also hopefully be using the studio, some indoor scences as well as some outside shoots.
3. Finance: If you produced this project outside of the college you need to show how much would it cost to hire the equipment that you intend to use.
The camera would cost about £500+
I would also be using software like Photoshop which would cost about £33
Models would cost £100 roughly
4. Contributors: Who do you need to help this for you project? This includes talent and crew.
Talent - three people maximum
Crew- Possibly one or two.
5. Presentation: How will you present the pictures? Will you include a soundtrack, think about copy write issues etc.
Possibly a slide show with Creative Commons soundtrack.
Also the pictures will be presented on my blog. These may be edited or raws depending on if I feel that the photo needs to be changed either contrasting the colours or editing the photograph black or white.
Solitude
Solitude can be a personal isolation, a person removing themselves from everyday life, for meditation, to be able to concentrate on projects, having time to reflect on ideas, or just sometime for themselves. This can help the person more capable of being able to stay absorbed in their work instead of being distracted by the modern world. Sometimes people that get used to solitude/being recluse don't or will rarely interacted with the external psychical world, they like their world. Happy in their own bubble. For some people, having time of short solitude or isolation to recharge from the world.
Fashion Photography
The fashion photography is a high pressured industry. The shoots that come out are often very expensive. Fashion photography while mainly taken in a portrait style is differentiated only by the context in which the photograph is displayed. Portrait photography seem in either family/private albums or in galleries. Fashion photography is most commonly seen in the pages of fashion magazines Vouge, Elle etc. However some times these are always as clear. There are portrait head shots of editor, designers etc in the magazines and fashion photography can sometimes be seen in galleries.
Fashion photography was and is still used
Some of the problems that people find with fashion photography is that the image that ends up in the fashion magazine is altered, manipulated post-shoot in a program like Photoshop. These kinds of alterations are generally only seen in fashion, music and film photography, however in all photography there can be a bit of modding.
However the alterations that occur in fashion photography greatly changes the look of the model in the image, their faces are nipped and tucked, neck elongated, eyes made bigger etc this happens for both male and female models, see image below for an example.
Fashion magazines, Vogue, Elle etc would clear blemishes, add tan, the image would be airbrushed creating an more perfect looking image of the model, actor music, however gossip magazines would leave the pictures as they are to highlight this and have caption lines underneath and puff words to grab the readers attention and show the celebs looking more like everybody else.
Having the constant bombardment of the "perfect" man or woman, airbrushed, perfect hair and make up to the nines then altered. Some women from all around the aspire and wish to achieve this image of the "perfect" woman that the fashion magazine portray. However this has averse effect on women, it can lead to emotional problems and body issues such as anorexia and bulemia.
However this isn't just a issue for women, the constant ideal of the "perfect" man also has an effect on it's male audience. Male health magazines, having toned, tanned and good looking men as their front cover, promoting beautiful ripped men, leads to men having many of the same problems that women have.
The fashion photography that promotes the super skinny women or the super toned men to the point that the models are ill or pressured into this image. It can not be achieved by everybody, because some models have a high metabolism or have certain dietary carefully selected food and the size of their meals.
However there are some fashion magazine that are challenging the established views of having stick thin models everywhere. Italian Vogue (June 2011) had plus sized models (women that are sizes 10,12,14 onwards. Instead models that are size 4 and under) these models were on the front cover and show women of a more realistic size, being just a beautiful or being even more beautiful than super skinny models. I believe that it is better for many women's self confidence to see curvy models than tiny ill looking women.
There are some that criticise having plus sized models. They believe that this sets a bad example for women, that plus size models would lead women to lead unhealthy lifestyles. However I personally feel that stick thin models has lead women having so many problems and issues with their bodies trying to achieve this tiny size. I feel that plus size (which I think is ridiculous to call models of size 10 up, when they are a more natural size) is better in the long run as these women aren't obese, they are just a normal healthy weight.
Marilyn Monroe, one of the sex symbol of the 20th century was roughly a modern size 12. Below is a picture of her at her smallest, this is a much better image than that of stick thin models we have today.
In fashion photography there can sometimes be a clash between the creative side, art directors and photographers, versus commercial side of fashion.
Cecil Beaton
Fashion photography was and is still used
Some of the problems that people find with fashion photography is that the image that ends up in the fashion magazine is altered, manipulated post-shoot in a program like Photoshop. These kinds of alterations are generally only seen in fashion, music and film photography, however in all photography there can be a bit of modding.
However the alterations that occur in fashion photography greatly changes the look of the model in the image, their faces are nipped and tucked, neck elongated, eyes made bigger etc this happens for both male and female models, see image below for an example.
Fashion magazines, Vogue, Elle etc would clear blemishes, add tan, the image would be airbrushed creating an more perfect looking image of the model, actor music, however gossip magazines would leave the pictures as they are to highlight this and have caption lines underneath and puff words to grab the readers attention and show the celebs looking more like everybody else.
Having the constant bombardment of the "perfect" man or woman, airbrushed, perfect hair and make up to the nines then altered. Some women from all around the aspire and wish to achieve this image of the "perfect" woman that the fashion magazine portray. However this has averse effect on women, it can lead to emotional problems and body issues such as anorexia and bulemia.However this isn't just a issue for women, the constant ideal of the "perfect" man also has an effect on it's male audience. Male health magazines, having toned, tanned and good looking men as their front cover, promoting beautiful ripped men, leads to men having many of the same problems that women have.
The fashion photography that promotes the super skinny women or the super toned men to the point that the models are ill or pressured into this image. It can not be achieved by everybody, because some models have a high metabolism or have certain dietary carefully selected food and the size of their meals.
There are some that criticise having plus sized models. They believe that this sets a bad example for women, that plus size models would lead women to lead unhealthy lifestyles. However I personally feel that stick thin models has lead women having so many problems and issues with their bodies trying to achieve this tiny size. I feel that plus size (which I think is ridiculous to call models of size 10 up, when they are a more natural size) is better in the long run as these women aren't obese, they are just a normal healthy weight.Marilyn Monroe, one of the sex symbol of the 20th century was roughly a modern size 12. Below is a picture of her at her smallest, this is a much better image than that of stick thin models we have today.
In fashion photography there can sometimes be a clash between the creative side, art directors and photographers, versus commercial side of fashion.
Cecil Beaton
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